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Webcasters, Media Groups Spar Over Copyright Proposals
©Newsbytes News Network, 11/29/2000, by Brian
Krebs, Newsbytes
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WASHINGTON,
D.C., U.S.A., 2000 NOV 29 (NB). Digital media companies and
leaders in the entertainment industry faced off today in a hearing
that could lead Congress to propose changes to online intellectual-property
laws.
The hearings today were scheduled back in October 1998, when
Congress passed the Digital Millennium Copyright Act. At the
time, Congress tabled several controversial amendments to the
act, and instead asked the US Copyright Office and the National
Telecommunications and Information Administration (NTIA) to
conduct a joint study on those proposals and report back within
two years.
Two of those proposals, originally drafted by Reps. Rick Boucher,
D-Va., and Tom Campbell, R-Calif., were at the center of today's
heated debate, which could have far-reaching implications for
libraries, streaming music and content providers, and copyright
holders nationwide. The first, and most contentious proposal
would have amended Section 109 of the act to make the "first
sale" privilege - the provision that permits the resale of used
books, for example - apply expressly to digital transmissions
of copyrighted works.
Library associations and archiving companies have insisted that
the amendment is necessary because under current law, the first
sale doctrine would only apply to digital media if the underlying
work were actually deleted - just as a resold book is no longer
physically in the hands of the original owner.
"The consequences of allowing the law to lag digital technology
will be felt by educators, librarians, consumers and - not coincidentally
- by technologists," said Scott Moskowitz, president and CEO
of Blue Spike Inc., a company that provides watermarking technology
for copyright management systems.
"Content owners and providers understand the marketplace of
ideas, but they have little interest in the archival requirements
of universities and libraries that must be able to make copies
of works in different formats in order to ensure the continuity
of access and to serve the educational requirements of their
constituents."
Time Warner Senior Counsel Bernard Sorkin said while it might
be thought that amending Section 109 to include digital transmission
would be useful to libraries, such an assumption would be a
"delusion." The removal of a restriction against "deleting"
the original copy would merely result in the endless duplication
of any copyrighted product, Sorkin said, given the inherent
difficulties in verifying that the original user had somehow
destroyed his or her copy.
At best, he said, the amendment would result in content owners
being more reluctant to make their works available in digital
form.
"The proposed amendment to Section 109 would transform that
section from a protection against restraint of alienation of
particular copies to a device for allowing the owner of one
copy to supply, without authority of the copyright holder, the
needs and desires of a vast population," Sorkin said.
The second proposal would alter sections of the act that permit
the owner of a copy of a computer program to make backup copies
of the work in order to use that piece of software, music, etc.,
in a separate device or format - such as a MP3 player.
Witnesses from streaming media companies such as RealNetworks,
myPlay Inc., and MusicMatch Inc. would like the second proposal
to exempt certain reproductions of copyrighted material when
that material resides on a user's hard drive only temporarily.
When playing an incoming media stream, PCs usually cache a portion
of the file in temporary memory - or RAM buffer - to ensure
uninterrupted playback.
The music industry has argued, however, that such storage constitutes
a physical copy of the copyrighted work, and thus merit a separate
royalty fee in addition to the fee a user pays for downloading
a song or CD.
RealNetworks Vice President Alex Alben testified today that
while while the streaming media business has steadily been growing
in popularity, several prominent streaming content companies
have been forced to close or cut back their offerings in light
of severe financial difficulties. More charges, he said, simply
would put more companies out of business.
"Current licensing practices already impose substantial costs
and administrative burdens upon these companies, and it would
be untenable and unfair to require them to shoulder additional
costs with respect to these buffer copies," Alben said.
But Emery Simon, an attorney for the Business Software Alliance,
suggested that copyright protection against unauthorized "temporary
copying" is crucial to ensure a healthy environment for the
development of the software industry and e-commerce.
"From the user's perspective, these formats are indistinguishable,
except that the exploitation of a work through the creation
of a temporary digital copy may be far more convenient, enjoyable,
and even less expensive than the exploitation of the work in
physical format," Simon said. "There is no question that the
exploitation of works will increasingly be through the creation
of digital temporary copies as opposed to the creation of permanent
copies."
Both amendments have a direct bearing on several issues currently
before the Copyright Office. Aside from the obvious impact of
such changes to the law on the current legal battles between
Napster, MP3.com and the entertainment industry, the Copyright
Office is considering whether users can legally copy purchased
works - such as burned CDs - in much that same way they can
duplicate audiotapes for other personal uses. The Copyright
Office also is deliberating on what sort of fee - if any - streaming
media companies should have to pay for streaming copyrighted
content.
Today's was the last of several public hearings on the matter
since the NTIA and the Copyright Office began holding public
hearings and accepting public comments in May.
Jesse Feder, a policy-planning advisor to the Copyright Office,
said the agencies were considering a suggestion to hold post-hearing
comments, but no decision had yet been made on the extension.
"In any event, we will get our report to Congress by the end
of February," Feder said. "From there, it will be up to Congress
whether it wants to go ahead with our recommendations."
Reported by Newsbytes, http://www.newsbytes.com 16:25 CST
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